Long considered "the" original version of this timeless spiritual. The true authenticity of the African-American musical heritage is captured in this Dawson rendition.

Commissioned for a premiere performance at the Texas Music Educators Association 2000 convention, Joseph Martin's Come to the Music is alive and electric with driving rhythm, memorable melodies,

The third in a set of three songs titled Love Was My Lord and King! based on the poetry of Alfred Lord Tennyson. For TTBB chorus and chamber orchestra or piano. Commissioned by the Orpheus Male

This bright and festive a cappella work is set for has become a standard in choral literature for both festival and church choirs. The SSAA and TTBB versions have been adapted by Tim Sarsany.

This edition of the well-known choral masterwork from Mozart's "Requiem," now available for mixed, TTBB, and SSAA voices, has become a standard for today's choirs. Patrick Liebergen has re-scored the

A cry for peace in a world torn by war, this poignant a cappella setting of an original text is filled with striking dynamic contrasts. "Sing, Be, Live, See... This dark stormy hour, the wind, it stirs. The

This high-energy piece in a contemporary style is perfect as an opener in a concert or festival setting. Featuring a Latin text, the opening fanfare-like section leads to a contrapuntal middle section

Joyful energy, dance-like rhythms, effective handclaps, and shifting meters all come together in this exuberant choral feature that is based on a Buddhist mantra. Repetitive melodies dance freely through

The delightful poem by Robert Frost in an equally delightful setting by Randall Thompson makes an excellent selection for more advanced treble choirs.